Am I getting more childish or has childish got more mature?

I went to see Captain America: Civil War last night. Nothing wrong or strange in that by itself, but then I thought about the last few films I’d seen at the cinema. Before this it was Deadpool and before that it was Star Wars. Two comic book adaptations and a family film. Going back further, the last film I saw that wasn’t a comic book film or a family film was The Martian, a sci-fi film.

Still nothing wrong with this. Thanks principally to the cost of a visit I don’t visit the cinema very much any more so when I go, I want to be guaranteed to be entertained. Seeing something that may challenge me or not be to my tastes is more of a risk when there’s the best part of £20 on the line.

So then I thought about TV. Currently, the two shows I’m watching most are Game of Thrones and iZombie. Again, both somewhat genre. Over the last few months, I’ve also eagerly consumed Daredevil, Jessica Jones and Gotham – three more comic book conversions. Bear in mind this is from someone who is not a comic book reader (send your hate mail to no1 Noteveryonehastolikeeverything). That same description can be levelled at many of my friends who have also enjoyed these shows. So what, one might ask, is up?

I think the answer is partly about me and partly about what is is we consume. I’ll address the first first because it’s easier. I’m something on an expert on myself.

When I was in my late teens studying English literature at A-Level, I voluntarily tried to read a number of classics. I switched genres and read things out of my comfort zone. At the same time I was happy to go to art house cinemas and watch indie films about a dysfunctional family in the mid-west (as I write this I’m not entirely convinced that wouldn’t have bored me then but the point stands). Scenes of actors looking out silently at the landscape seemed to hold meaning for me then.

Now in my thirties when I’m supposed to be sensible and mature I just don’t have the patience for this any longer. I tried to watch the much-critically acclaimed The Master a few years ago and was almost to the point of tears for the lack of plot or action. Cohen brothers’ films seemed to send me to sleep. As for challenging documentaries, I can honestly say there’s enough depressing stuff in my head already. In short I have become a total pleb.

These days entertainment is paramount in my entertainment and this is one of the reasons genre films appeal. They don’t waste my time, usually. They have a plot and they have action and, most of the time, they have a resolution. I don’t have to spend time afterwards wondering about the meaning of what I just saw or interpreting what the message was. My post-game analysis focusses on whether I enjoyed it or not. In a sense, in a life with a job and worries and writing as my creative outlet I can only spare so much brain-space for films as well.

With TV I think it is slightly different. In a post box-set revolution world of binge-watching streaming services, TV has changed. TV has become more like novels with long narrative arcs and plenty of time for reflection. Actors can now stare out into space because they’ve got another 9 hours to do the action stuff. Contrary to films, it doesn’t feel like eating up valuable time.

TV has also become emboldened and a lot of what we’re watching now just wouldn’t have been made previously. Budgets weren’t forthcoming as they now are and this is another reason I think we have so much genre TV now. Fantasy used to look naff and cheesy on TV because they hadn’t paid for it to look otherwise. The acting was hammy because good actors couldn’t be lured to do it. It’s less embarrassing to watch Game of Thrones than Hercules, principally, because it’s a much higher quality product.

Now we are in a virtuous cycle for genre pieces. They get more money and make something good, because it’s good it gets more credibility; with credibility more quality actors, directors, writers etc get drawn to these projects and they are consequently better, starting the cycle again. That’s why, my decreasing maturity notwithstanding, I’m not alone in watching about dragons and superheroes.

Is there a downside to any of this? Simon Pegg wrote an interesting piece a while ago about how as adults we are having our childhoods sold back to us to keep us infantilised. There’s a lot of truth in this. Many things that used to be for kids now successfully populate the adult world. You see people who were once considered too old for it getting excited about Dr Who, lining up to watch the latest Star Wars film and openly discussing which superpower they’d have. The average age of a gamer is 35 not 15, as all non-gamers would love you to believe. People proudly instagram themselves at conventions, where before it might have been a guilty pleasure. Fear of being labelled a nerd isn’t what is used to be.

All this might be more concerning if genre pieces were cheap and unthinking. Fortunately, this is increasingly not the case. If you see a number of films this year, the dumbest one you see won’t be a genre piece in all likelihood. Increasing success has led to increasing confidence and genre TV shows and films are more prepared than ever to ask deep questions. Having a costume doesn’t mean you can’t have the same existential trials as someone in a beret and turtle neck.

What if this is the only place people are finding this though? Is it not a bad thing if we are substituting real intellectual rigour for their slick, simplified versions in entertainment? Yes, thinking a little should not be a substitute for thinking a lot but I’m not sure it works that way. Most the people I know who love genre are also highly-engaged, informed and politically active. Ultimately, if dumb fun becomes a little less dumb then that’s a good thing. After all, I was never going to watch a documentary tonight anyway.

Superheroes are fine – just don’t make them invincible

I’ll start this blog with a couple of disclaimers. First, this isn’t about good adaptations as promised. That article will still come but this one has come into focus now. Second, all my references to superheroes on this blog are based on what I’ve seen on TV/film and not their comic book representations.

Right, with that covered I’ll start wrecking my nerd credentials.

The Invincibles

Invincibility has been in my mind recently, prompted by two events. The first was seeing trailers for the Batman vs Superman movie and the second was after watching Daredevil Season 2 where I was shown a trailer for the new series about Luke Cage. Now, I liked both the Christian Bale Batman films and Jessica Jones but neither of these trailers really appeal to me and I think I know the reason why – it’s invincibility.

I can’t be bothered with Superman. I don’t find anything remotely interesting about him. Sure, a large part of that is he is generally quite a dull character but I’m not sure that can really be separated from the nature of his powers; namely that he is invincible.

Superman wins not by any great courage or ingenuity or triumph of character; Superman wins because he is Superman. By virtue of the gifts he is born with no enemy can match him. In the same vein, it’s hard to take any rival to him seriously because you know he’s going to win because he’s Superman.

Other have argued to me before that the real story is about how he has to struggle with his identity and the burden that his powers have more than the jeopardy as such. That might have some traction if his human identity was remotely interesting but it’s not. He’s straight-down-the-line, successful, honest and handsome. If his daytime persona were someone who is reviled,that might be an interesting conflict.

In any case, however successfully or unsuccessfully this side to his story plays out, for me, it doesn’t counterbalance the fact he is never in any real danger himself. It’s a problem and I think the writers of Superman agree with me on this – why else did they invent kryptonite?

You’re entitled to disagree but it got me thinking about my aversion to invincibility and why I hate it as a power for Superheroes. There’s a bit in the new advert for Luke Cage when a bunch of baddies pull guns on him and proceed to open fire. You know full well he’s going to fine (he duly is) and so I start thinking ‘why should I care?’ Again, the absence of any real jeopardy nullifies any stakes that may have been involved.

This got me thinking back to the TV series Heroes. The point where I lost all interest, even after the failings of Season 2, was when Sylar finally got to Claire and (drumroll) he does his thing and she’s completely fine afterwards. What? Not only is this massively anti-climatic at the time once you think about it you realise the whole tagline (and story) of the first series ‘Save the cheerleader and save the world’ becomes totally redundant. She never needed to be saved. In fact, it was impossible to save her because she can’t die.

(Further disclaimer: I’ve no idea how Heroes explained this afterwards as I was done after that).

What about regeneration?

Ok, so invincibility is bad, what about regeneration? Isn’t that a form of invincibility? I would say it depends but largely, no. I’ll take the two examples that come into my head for this. I’ll start with Wolverine. Yes, he can regenerate after almost anything but I don’t think you ever have the sense that he is impossible to kill: just difficult. So far I’ve not seen a Claire-like reveal that he cannot die. Moreover, Wolverine palpably suffers, which provides a measure of jeopardy with which we can still identify. Cut him, does he not bleed?

Next up, Dr Who. The time lord cannot die in one sense (although there is a limit on regenerations) but the fact it means a change of actor and personality means in another sense he dies indeed. It’s a death of a personality, which is something to mourn. Also, knowing as we do that each personality has a time limit, that vital element of jeopardy is always present. Is this week the week we are going to lose this incarnation?

What about invincible Super Villains

I certainly prefer the idea of near-invincible super villains to superheroes, the ‘near’ part being crucial. A villain that is exceedingly hard to kill gives a challenge to our heroes and a villain that is more powerful than any one individual hero gives cause to unite diverse groups and individuals in a common cause.

Even so, overpowering your enemy can cause problems. There should always be a way to overcome them; some feat of courage or cleverness that can bring about that miracle beyond hope. When all efforts prove fruitless, hope is shown to be futile and everything you’ve come to believe in mounts to nothing , you might reasonably question what the hell you’ve been investing in this story for (yes I am looking at you Mass Effect 3 ending – it is still not forgiven!)

One against many

Ultimately, probably the guiding principle of the invincible superhero is the chance for the one to succeed against the many. You know full well that Luke Cage is going to kick the arse or ass, if you prefer (and particularly hate donkeys) of every guy that just took a shot at him. You know that superman will come through whatever Lex Luthor throws at him. In this we have the spectre of the inevitable triumph of good over evil. We all know God will defeat Satan in the end, so we must trust in the fight.

Well, from a writing perspective I think that sucks (thanks for the spoiler Bible). The end fight should always be in the balance until the final moment.

One against many can be brilliant. [Minor spoiler] I doubt I’ll see many things on TV/film this year that compare to Daredevil vs the Dogs of Hell. But here there is jeopardy. Daredevil has limits on his powers and he can be hurt. It takes force of will and strategic use of choke points and the environment for him to get through that alive.

Sure the heroes should win in the end most of the time, but barely and with blood on their teeth and knuckles against a foe who almost had them. That is why jeopardy is so important. If your victory is inevitable (or even easy), you’re basically just backing the winning side. Any coward can do that. True courage would be to fight on in the belief you will probably lose but it’s worth the fight anyway.